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The WHO Review

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Promotional graphic for The WHO Review with Chad Armstrong, featuring a scene from a period drama. On the left, a young woman wearing a blue-grey bonnet, pale dress and dark green coat walks beside a smiling man dressed in a green Regency-era suit. In the foreground, a bearded man wearing a wide-brimmed brown hat and charcoal coat stands beside a black horse, holding its reins. The scene is set against a soft pink sky. An orange banner runs along the bottom, featuring the title ‘The WHO Review with Chad Armstrong’ in large white lettering, a film reel graphic and a photograph of Chad Armstrong wearing glasses.

REVIEW: Sense & Sensibility is a ‘damp interpretation’ of Jane Austen’s debut novel

Critic Chad Armstrong unpacks how the latest adaptation of the enduring tale stacks up.

Promotional graphic for The WHO Review with Chad Armstrong, featuring scenes from the film Verity. On the left, Anne Hathaway wears a red satin evening gown while Josh Hartnett, dressed in a black tuxedo and bow tie, stands beside her. On the right, Dakota Johnson sits with her knees drawn up, wearing jeans and a brown vest over a white T-shirt, reading a copy of Colleen Hoover’s novel Hopeless, with Verity visible behind it. The images are set against a soft pink background with warm lighting. An orange banner runs along the bottom, featuring the title ‘The WHO Review with Chad Armstrong’ in large white lettering, a film reel graphic and a photograph of Chad Armstrong wearing glasses.

REVIEW: Anne Hathaway’s Verity lands squarely in ‘straight to DVD’ territory

Critic Chad Armstrong likens the film's logic to a wet Temu t-shirt.