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14 of the sexiest on-screen couples

With the annual Who Sexiest People issue just round the corner, take a look at Hollywood’s sexiest on screen couples.

Sophie Mudge

October 21, 2016

Buena Vista

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Man in suit crawls towards woman in pink dress sitting on a nursery floor with toys around. — Paramount

Leonardo DiCaprio and Margo Robbie

The Wolf of Wall Street

Pair in elegant attire, a woman in a red gown and a man in a tuxedo, stand smiling at each other against a wood-paneled background. — Buena Vista

Richard Gere and Julia Roberts

Pretty Woman

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Man and woman smiling at each other in an embrace, indoors.
``` — Warner Bros

Ryan Gosling and Emma Stone

Crazy, Stupid, Love

A woman and a man sit on a couch, conversing with relaxed postures, holding drinks in a cozy room. — Screen Gems

Justin Timberlake and Mila Kunis

Friends with Benefits

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Patrick Swayze and Demi Moore

Ghost

A woman and man casually smiling while walking on a terrace in a scene from a movie at night. — Universal

Julia Roberts and Hugh Grant

Notting Hill

Two people dancing energetically at a lively school dance, surrounded by spectators in colorful outfits. — Paramount pictures

John Travolta and Oliva Newton John

Grease

A man in a suit gently holds a woman’s face in an emotional close-up, both looking into each other's eyes. — Universal pictures

Jamie Dornan and Dakota Johnson

50 Shades of Grey

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New Line Cinema

Rachel McAdams and Ryan Gosling

The Notebook

A man and woman kneel and face each other on a wooden dance floor, in a dramatic, intimate pose. — Vestron pictures

Jennifer Grey and Patrick Swayze

Dirty Dancing

A couple kissing in a bathroom, with cabinets and a mirror in the background. — Paramount

Kate Hudson and Matthew McConaughey

How to Lose a Guy in 10 Days

Two people standing side by side in a room, one smiling, both wearing casual clothing. — The Weinstein Company

Jennifer Lawrence and Bradley Cooper

Silver Linings Playbook

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A couple embraces on a ship's deck at sunset, arms outstretched, with a view of the ocean. — Paramount

Kate Winslet and Leonardo DiCaprio

Titanic

Man and woman about to kiss outside an urban setting. — Overbrook Entertainment

Will Smith and Eva Mendes

Hitch

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Sunrise-On-The-Reaping-maysilee-donner-reaping-outfit

Where to get Maysilee’s reaping day dress from Sunrise on the Reaping before Halloween

Promotional graphic for The WHO Review with Chad Armstrong, featuring a scene from a period drama. On the left, a young woman wearing a blue-grey bonnet, pale dress and dark green coat walks beside a smiling man dressed in a green Regency-era suit. In the foreground, a bearded man wearing a wide-brimmed brown hat and charcoal coat stands beside a black horse, holding its reins. The scene is set against a soft pink sky. An orange banner runs along the bottom, featuring the title ‘The WHO Review with Chad Armstrong’ in large white lettering, a film reel graphic and a photograph of Chad Armstrong wearing glasses.

REVIEW: Sense & Sensibility is a ‘damp interpretation’ of Jane Austen’s debut novel

Promotional graphic for The WHO Review with Chad Armstrong, featuring scenes from the film Verity. On the left, Anne Hathaway wears a red satin evening gown while Josh Hartnett, dressed in a black tuxedo and bow tie, stands beside her. On the right, Dakota Johnson sits with her knees drawn up, wearing jeans and a brown vest over a white T-shirt, reading a copy of Colleen Hoover’s novel Hopeless, with Verity visible behind it. The images are set against a soft pink background with warm lighting. An orange banner runs along the bottom, featuring the title ‘The WHO Review with Chad Armstrong’ in large white lettering, a film reel graphic and a photograph of Chad Armstrong wearing glasses.

REVIEW: Anne Hathaway’s Verity lands squarely in ‘straight to DVD’ territory

I can’t stop thinking about Verity’s $6,360 red dress

I can’t stop thinking about Verity’s $6,360 red dress

I watched the Verity trailer and immediately did something drastic

I watched the Verity trailer and immediately did something drastic

Maddox Hatter (left) and Leonardo Nam (right).

EXCLUSIVE: The one part about being a Disney villain Leonardo Nam regrets

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Christopher Nolan's The Odyssey cast

EXCLUSIVE: Christopher Nolan’s The Odyssey didn’t just spark a love for old-school filmmaking — it reignited a love for the effort behind it

Move over Hannah and Garrett, we’re graduating to Olive and Adam in The Love Hypothesis

Move over Hannah and Garrett, we’re graduating to Olive and Adam in The Love Hypothesis

Obsession and Backrooms

EXCLUSIVE: How Obsession and Backrooms turned our ‘morbid curiosity’ into a cultural moment — and more than $400 million

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Sophie Mudge

Sunrise-On-The-Reaping-maysilee-donner-reaping-outfit

Where to get Maysilee’s reaping day dress from Sunrise on the Reaping before Halloween

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Sponsored by %%sponsor_name%%

Promotional graphic for The WHO Review with Chad Armstrong, featuring a scene from a period drama. On the left, a young woman wearing a blue-grey bonnet, pale dress and dark green coat walks beside a smiling man dressed in a green Regency-era suit. In the foreground, a bearded man wearing a wide-brimmed brown hat and charcoal coat stands beside a black horse, holding its reins. The scene is set against a soft pink sky. An orange banner runs along the bottom, featuring the title ‘The WHO Review with Chad Armstrong’ in large white lettering, a film reel graphic and a photograph of Chad Armstrong wearing glasses.

REVIEW: Sense & Sensibility is a ‘damp interpretation’ of Jane Austen’s debut novel

Native ad body.

Sponsored by %%sponsor_name%%

Promotional graphic for The WHO Review with Chad Armstrong, featuring scenes from the film Verity. On the left, Anne Hathaway wears a red satin evening gown while Josh Hartnett, dressed in a black tuxedo and bow tie, stands beside her. On the right, Dakota Johnson sits with her knees drawn up, wearing jeans and a brown vest over a white T-shirt, reading a copy of Colleen Hoover’s novel Hopeless, with Verity visible behind it. The images are set against a soft pink background with warm lighting. An orange banner runs along the bottom, featuring the title ‘The WHO Review with Chad Armstrong’ in large white lettering, a film reel graphic and a photograph of Chad Armstrong wearing glasses.

REVIEW: Anne Hathaway’s Verity lands squarely in ‘straight to DVD’ territory

I can’t stop thinking about Verity’s $6,360 red dress

I can’t stop thinking about Verity’s $6,360 red dress

I watched the Verity trailer and immediately did something drastic

I watched the Verity trailer and immediately did something drastic

Maddox Hatter (left) and Leonardo Nam (right).

EXCLUSIVE: The one part about being a Disney villain Leonardo Nam regrets

Native ad body.

Sponsored by %%sponsor_name%%

All hail Spider-Man, he’s making international weekenders possible again

Christopher Nolan's The Odyssey cast

EXCLUSIVE: Christopher Nolan’s The Odyssey didn’t just spark a love for old-school filmmaking — it reignited a love for the effort behind it

Move over Hannah and Garrett, we’re graduating to Olive and Adam in The Love Hypothesis

Move over Hannah and Garrett, we’re graduating to Olive and Adam in The Love Hypothesis

Obsession and Backrooms

EXCLUSIVE: How Obsession and Backrooms turned our ‘morbid curiosity’ into a cultural moment — and more than $400 million

Native ad body.

Sponsored by %%sponsor_name%%

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